![]() What I Likeįirst off, I think most of the presets are pretty great and to my liking. One thing that advanced pianists may not love is that you can’t do half-pedaling with this VST. The one chosen was crystal clear and it had a perfectly balanced resonance. More than 10 different Steinway Grand pianos were tested before choosing the winner to sample. The Addictive Keys Steinway is sampled after the Steinway D Grand piano and this is a heavily sought after piano. This is the best sounding budget piano VST option that is currently available. The Addictive Keys Steinway is just that. The chances are that you are most likely looking for something that sounds great, yet isn’t going to destroy your bank. I wanted to start with a solid, yet affordable option right off of the bat. On top of this, I’ve used these on major label productions in two of my bands albums. To come to this conclusion, I reviewed every product and spent 21 days writing the most in-depth review that I possibly could. 10 My Personal Experience With Piano VSTSīelow is a quick comparison of the best piano VSTs currently available on the market.7 Advantages Of Piano VSTs Over Keyboards Internal Sounds.2.7 East-West Gold – One Of My Personal Favorites.2.6 PianoTeq 7 – Best Modeled Piano Plugin.2.5 RavensCroft275 – Low CPU & Beautiful Options.2.4 Garritan CFX – Incredible Yamaha CFX 9 Samples.2.3 Keyscape By Spectrasonics – Most Diverse Piano Library.2.2 EZKeys – Best Piano VST For Songwriters.2.1 Addictive Keys By XLN Audio – Best Budget Piano VST.2 The Best Piano VSTs – Budget & Expensive.These range from natural spaces like concert and recital halls to studio rooms and shimmering digital bliss. In addition to analog-modeled tape saturation, compression, EQ, and transient design, the convolution reverb comes with 31 custom impulse responses. We’ve also included a powerful effects rack for further mixing and processing. With an assortment of presets included, customizing Pearl for your DAW or MIDI controller couldn’t be easier! The settings page offers fine control over “under-the-hood” controls such as volume envelope, velocity response, tuning (and microtuning), and noise volume. On the main page (pictured below), each microphone can be effortlessly mixed, with per-channel EQ, stereo width, compression, and optional routing to different KONTAKT outputs. The interface of Pearl is every bit as elegant and beautiful as the piano itself. We know that as soon as you load Pearl and beginning playing, you will have the same reaction we did when we played this piano for the first time. By simply adjusting the mic mix alone, you can achieve drastically different timbres. The default tuning, velocity curve, and mixing settings are all set to inspire your compositions and musical creativity.Ī powerful yet unencumbered user interface provides very easy control over all aspects of the sound, such as mic mixing, channel EQ, tuning, and velocity response. The beautiful tone of Pearl, captured through each of the four microphone positions, truly ‘sings’ with each key press. We decided we simply had to capture it and craft a timeless virtual instrument – and that’s exactly what we did. ![]() When we first played this magnificent grand piano in its concert hall, we fell in love. We recommend reading the updated manual even if you’re familiar with the original release! Concept We’ve also upgraded the library to Kontakt 5.5, allowing for full NKS (Maschine / Komplete Kontrol) compatibility, snapshots, and other handy features. Users of v1 will find the interface mostly familiar, but editing capabilities, pedal realism, and noise have all been greatly improved. This version is a total rewrite of the playback and performance engine of Pearl without changing the lovely recordings. 2 - Romantic Classic Franz Liszt 9:36īased on years of customer feedback, we released version 2.0 of Pearl in September 2018. The Swan (Naked + Pad) Rayshaun Thompson 2:30.Mission to the Sky (Naked) Phil Chapavich 1:53. ![]()
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